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Sony HDC-P1 – Camera Chains & Accessories

The Sony HDC-P1 is a compact camera chain accessory engineered for broadcast production, live OB vans, and studio environments.

Sony HDC-P1
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Description

The Sony HDC-P1 is a compact camera chain accessory engineered for broadcast production, live OB vans, and studio environments. Built around three 2/3-inch Power HAD FX CCDs with dual motorized servo filters (ND and CC), it delivers Full HD image capture with professional HD-SDI/SD-SDI outputs and genlock input for synchronized multi-camera setups. Its lightweight 1.7 kg form factor and bayonet lens mount make it ideal for mobile production rigs and integrated camera systems. Contact us for availability—we stock new, ex-demo and used units.

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Product : Sony HDC-P1 – Camera Chains & Accessories

FAQ

What CCU and RCP do I need to control the HDC-P1, and can I integrate it into an existing multi-camera chain?+

The HDC-P1 is a camera head accessory designed to work with Sony's compatible CCU (Camera Control Unit) and RCP (Remote Control Panel) ecosystem. It requires a CCU to handle genlock synchronization, servo filter control, and remote gain/iris adjustment via the 8-pin remote port and D-sub 15-pin interface. Verify your existing CCU model supports the HDC-P1 before purchase, as control protocol compatibility varies across CCU generations. In multi-camera OB vans, ensure your CCU has sufficient remote ports and that your router/switcher can handle dual HD-SDI outputs from each head.

The HDC-P1 outputs both HD-SDI and SD-SDI from the same BNC connectors—how does format switching work operationally?+

The dual HD/SD-SDI outputs (2x BNC) support auto-sensing or manual format selection depending on CCU control. When configured for 1080/50i or 1080/59.94i, HD-SDI is active; SD-SDI capability allows legacy mixer/router integration if needed. Switching between HD and SD formats typically requires CCU command and brief signal interruption—not suitable for live cuts. Confirm your production workflow: if you need simultaneous HD and SD feeds to different destinations, you'll need external distribution amplifiers or a separate SD-SDI output chain, as both protocols share the same physical connectors.

What's the practical sensitivity penalty when I engage noise suppression, and how does it affect dynamic range in studio vs. outdoor light?+

Base sensitivity is F11 (1080/50i) or F10 (1080/59.94i); noise suppression improves S/N from -58 dB to -64 dB at the cost of minor high-frequency detail loss—acceptable for news and documentary but noticeable in slow pans on textured surfaces. In high-ambient-light scenarios (outdoor OBs), the dual motorized ND wheel (Clear, 1/4, 1/16, 1/64) handles exposure control without requiring neutral-density lens filters. In studios with controlled lighting, you'll rarely need ND beyond Clear; the CC (color correction) wheel is more valuable for tungsten (3200K) and mixed-temperature (4300K, 6300K) balancing.

Can I trigger genlock and what happens if the genlock signal is lost during a live broadcast?+

The single genlock input (BNC) accepts a blackburst or tri-level sync signal to synchronize the HDC-P1 with other cameras and router timing in multi-camera setups. Genlock loss triggers a CCU alarm and the camera reverts to free-run mode—video continues but frame-lock to house sync is lost, risking visible sync errors if switched with other synchronized cameras. In critical OB vans, always run dual genlock distribution with automatic switchover at the house sync distribution point. Test genlock integrity during rig validation; a failed sync cable is a common live production failure.

How do I power the HDC-P1 in an OB van, and what are the supply voltage window and current draw headroom requirements?+

The HDC-P1 consumes 24 W nominal and accepts 10.5 V to 17 V DC input—a wide window suitable for OB van 12 V or 24 V busses with modest voltage sag tolerance. At 17 V, expect ~1.4 A; at 12 V, ~2.0 A. Do not operate below 10.5 V (brownout risk) or above 17 V (component stress). In OB vans, integrate the HDC-P1 into your camera power distribution with dedicated breakers and UPS-backed supplies if redundancy is required. Calculate total camera head draw (multiple units) against your power buss capacity; undersized supplies cause remote-control lag and genlock jitter.

What lens mount options are available, and are there any performance trade-offs or mechanical clearance constraints I should know?+

The HDC-P1 uses a Sony 2/3-inch type bayonet mount compatible with the full range of Sony and third-party 2/3-inch servo and manual lenses (Fujinon, Zeiss, Canon). No performance penalty exists when using alternative brands, but verify mechanical clearance in confined crane or Steadicam setups—the 189 mm depth can interfere with proximity accessories. Servo lens motors draw additional auxiliary power; confirm your CCU supports servo lens control if you're upgrading from manual optics. Always use lens caps and rear lens seals during transport to protect the sensor and mount bayonet.

Can I use the HDC-P1 in a fiber or triax-based OB van, or am I limited to direct HD-SDI copper runs?+

The HDC-P1 outputs native HD-SDI and SD-SDI only on dual BNC connectors—no fiber or triax outputs are built-in. For fiber-based OBs or long-distance runs (>100 m), you must add an external HD-SDI to fiber converter (e.g., Phabrix, Evertz) downstream of the camera head. Triax systems require a separate triax-to-HD-SDI adapter and CCU interface—this is a legacy workflow and incompatible with modern genlock/control signaling. Confirm your OB van's distribution architecture before purchase: if you need fiber or triax, budget for distribution amplifiers and converters in addition to the HDC-P1.

What's the operating temperature window, and how does the HDC-P1 perform in extreme outdoor conditions?+

The HDC-P1 is rated -20 °C to +45 °C operating range. Below freezing, CCD sensitivity may drift slightly and servo mechanisms respond slower; above +45 °C, noise floor rises and color accuracy shifts if not genlock-calibrated. In hot climates (Middle East, Africa OBs), ensure adequate ventilation around the camera head and avoid direct sunlight on the optical block during standby. The compact form factor (1.7 kg) aids thermal management compared to studio cameras, but does not eliminate environmental stress. In tropical humidity, use dry storage and periodic lens inspections; salt-spray environments require protective enclosures and post-deployment cleaning.

Are your used / ex-demo units tested and warranted?+

Yes. Our used and ex-demo units undergo a full functional inspection — sensors, video outputs, control signals, optics and mechanics — including a colorimetry and sensitivity test. Each product is tested by our technicians and comes with a 90-day warranty. Contact us for the specific warranty terms of the unit you are interested in.

Technical specifications

SensorThree 2/3-inch Power HAD FX CCDs, 2.2 megapixels each
Resolution1920 x 1080 (Full HD), 1000 TV lines horizontal
Video formats1080/50i, 1080/59.94i, 720/50p, 720/59.94p; optional 1080/50p, 1080/59.94p, 1080/23.98PsF, 1080/24PsF, 1080/25PsF, 1080/29.97PsF
SensitivityF11 at 1080/50i; F10 at 1080/59.94i
Signal-to-Noise Ratio-58 dB typical (up to -64 dB with noise suppression)
Lens MountSony 2/3-inch type bayonet mount
Optical FiltersDual motorized servo filters: ND (Clear, 1/4, 1/16, 1/64); CC (Cross, 3200K, 4300K, 6300K)
Outputs2x HD-SDI/SD-SDI (BNC); 1x genlock input; 1x Ethernet RJ-45; 1x D-sub 15-pin; 1x remote 8-pin
Dimensions86 mm (W) x 130 mm (H) x 189 mm (D)
Weight1.7 kg (3 lb 12 oz) excluding lens
Power consumption24 W; 10.5 V to 17 V DC
Operating temperature-20 °C to +45 °C

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