TOSHIBA IK-HD5 – Camera Chains & Accessories

The IK-HD5E CCU outputs 3G-SDI/HD-SDI plus DVI-D, making it the correct choice for traditional broadcast routing and mixing workflows. The IK-HD5U uses USB 3.0 and DVI-D, suited for file-based or IT-centric systems. For an SDI van, specify the E model. Confirm cable runs exceed 50 m—3G-SDI degradation becomes relevant beyond that distance. The E model integrates cleanly with your existing routing switchers and fiber converters.

Standard sensitivity is F10 at 59.94 Hz (2000 lx, 3000K). Minimum illumination without binning is approximately 4.0–4.8 lx. Binning mode delivers a 4× sensitivity boost under low light, allowing operation below 1 lx—critical for night outdoor events or indoor venues. Enable binning only when needed; it reduces effective resolution. Document the mode switch in your rundown if mixing lit and unlit segments to avoid post-production color/resolution mismatches.

The specifications confirm 1080p/1080i switchable operation at both 50 Hz and 59.94 Hz. However, the exact mechanism—hot-swap versus configuration command—is not detailed in the core spec. Before purchase, confirm with Toshiba technical support whether format switching is live (via RCP command) or requires CCU restart. This affects your ability to adapt quickly during multi-format productions or regional broadcasts.

The removable Optical Low Pass Filter enables dual-mode imaging: visible light standard, NIR with ~3 dB sensitivity gain in the 700–870 nm spectrum. The OLPF is user-accessible but requires care to avoid dust contamination on internal optics. Store the removed filter in a clean, dry case. After reinstallation, verify white balance and focus—optical alignment affects sharpness. Document the swap procedure in your maintenance log; establish a clean-room protocol if you alternate modes frequently during a project.

The IK-HD5 uses a standard C-mount, compatible with any broadcast-grade C-mount lens. Toshiba does not publish a qualified lens list in the standard spec sheet; contact applications engineering for guidance on specific primes or zooms. Back-focus (flange distance) is 17.5 mm for C-mount (industry standard), so standard broadcast lenses will mount. Verify telecentricity and vignetting with your preferred optics on a test bench—3-CMOS architecture and compact sensor size may show edge effects with legacy designs.

At 70 g, the IK-HD5 head suits compact rigs, cranes, and PTZ heads. Standard broadcast mounting plates (1/4"-20 or via C-mount adapter) apply. Operating shock and vibration limits are not specified in the core data; request environmental specs from Toshiba before mounting on a moving platform or unmanned aerial vehicle. Cable strain relief and power connector security become critical at the head—use aviation-grade connectors and a secondary tether for remote installations to prevent catastrophic loss.

Power supply requirement is 12V DC ± 10% for the camera head; CCU power consumption is not specified in the provided data. Before designing your studio PSU, request the complete power budget (head + E or U model CCU) from Toshiba. Multiple chains will demand significant 12V current; ensure your distribution includes proper fusing, voltage regulation, and thermal headroom. Under-specified supplies cause dropout, color noise, and SDI jitter—spec a dedicated regulated supply per camera pair for critical broadcasts.

Yes, every used or ex-demo unit is tested and covered by a 90-day warranty. In the event of a failure, the round-trip transport cost is shared equally between the customer and Broadcast Depot.

Yes, Broadcast Depot ships worldwide. We arrange transport on quotation, or you can use your own carrier. Delivery usually takes 3 to 5 days. OB vans are delivered by driver or collected on site.

Yes, in case of an error or if you would like another product from our stock: returns and exchanges are possible with no time limit. Contact us to arrange it.