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Sony HXC-100 โ€“ Camera Chains & Accessories

The Sony HXC-100 is a professional HD studio camera system designed for broadcast, live production, and large-scale television facilities.

Sony HXC-100
โ‚ฌ6,900ex. VAT

Camera chain composition

Sony HXC-100

Camera control unit

  • HXCU-100โ€” Camera Control Unit (digital triax)

Remote control panel

  • RCP-1500โ€” Remote Control Panel

Large studio viewfinder

  • HDVF-C730Wโ€” 7-inch LCD Color Viewfinder

ENG viewfinder

  • HDVF-200โ€” 2-inch CRT viewfinder

Tripod plate

  • VCT-14โ€” Tripod Adapter Plate

Fibre / Triax cable

  • Triax cableโ€” Triax camera cable

Case / Flight case

  • Yes

Description

The Sony HXC-100 is a professional HD studio camera system designed for broadcast, live production, and large-scale television facilities. This robust camera delivers exceptional image quality with advanced sensitivity and color reproduction, making it ideal for news studios, sports coverage, and multi-camera productions. The HXC-100 features integrated fiber optic connectivity for remote operation and long-distance camera control, enabling flexible studio configurations and reducing cable infrastructure requirements. With its modular design and extensive lens compatibility, the system supports both studio and field production workflows. The camera incorporates Sony's proven image processing technology with enhanced contrast and dynamic range capabilities. Built for mission-critical broadcast environments, it delivers consistent, reliable performance with redundant control systems and professional-grade construction. The HXC-100 is widely deployed in high-end broadcast centers and production facilities worldwide.

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Product : Sony HXC-100 โ€“ Camera Chains & Accessories

FAQ

What CCU (Camera Control Unit) models are compatible with the Sony HXC-100?+

The HXC-100 operates with Sony's professional CCU lineup, including the RCP-1500 and RCP-5500 remote control panels via RS-422 control protocol. Confirm your specific CCU firmware revision supports HXC-100 integration before deployment. The camera's three 2/3-inch CCD sensors require a CCU capable of processing multi-chip HD output. Consult Sony's current compatibility matrix or your systems integrator, as control protocol versions evolve. Both fiber optic and SDI infrastructure require corresponding CCU interfacesโ€”verify your facility CCU includes both signal and control connectivity matching your deployment topology.

Does the HXC-100 output HD-SDI or 3G-SDI, and what cable distances are supported?+

The Sony HXC-100 delivers HD-SDI output (1080i/720p), not 3G-SDI. Standard 75-ohm coaxial SDI cable supports HD signals to approximately 300 meters depending on cable quality and environmental factors. The integrated fiber optic output extends signal transport beyond copper limitationsโ€”ideal for OB vans and remote studio configurations where long-distance signal integrity is critical. For runs exceeding 300 meters via copper, fiber optics becomes mandatory. Verify your router or vision mixer accepts both SDI and fiber inputs; some facilities require format conversion or distribution amplification.

What lens mount does the HXC-100 use, and which studio lenses are compatible?+

The HXC-100 features a 2/3-inch studio lens mount, compatible with all standard 2/3-inch broadcast lens designs (servo zooms, primes, and anamorphic glass). Common pairings include Canon ND, Fujinon ZA series, and Zeiss broadcast optics. Ensure your lens includes iris, focus, and zoom servo connectors compatible with your RCP control panel. The camera's 1000+ TV lines horizontal resolution demands high-quality glass to avoid optical bottlenecking. Confirm servo protocol alignment (12-bit serial, etc.) between your lens and RCP before integration. Older or non-broadcast 2/3-inch lenses may lack servo interoperability.

What is the complete signal chain required to deploy an HXC-100 in a multi-camera studio?+

A functional HXC-100 chain requires: camera, compatible CCU (with RS-422 control), RCP panel, 75-ohm SDI or fiber distribution infrastructure, HD vision mixer with matching inputs, monitoring (multiviewer), and lens with servo connectivity. Power delivery to camera head and CCU must meet facility voltage standards (typically 120/240 VAC). Fiber systems add fiber optic patch panels and media converters if mixing fiber and SDI. Control infrastructure demands shielded RS-422 cabling throughout. Each additional HXC-100 requires dedicated CCU/RCP or multiplexing control architecture. Budget for test equipment (SDI analyzer, signal generator) to validate integration pre-air.

The HXC-100 specs list '2000 lux minimum illumination'โ€”what does this mean operationally?+

At 2000 lux (F4.7 iris, 2000K color temperature), the HXC-100 achieves 89 dB sensitivityโ€”acceptable for studio environments with controlled lighting. This is not 'minimum' in the survival sense; rather, it's the specification baseline for acceptable image quality. Below 2000 lux, noise increases and color fidelity degrades. News studios typically operate 1500โ€“3000 lux; sports require 3000+ for fast motion and shadow detail. If your facility averages below 2000 lux, budget for supplemental lighting or expect reduced dynamic range and increased grain. Fiber and SDI outputs carry raw sensor dataโ€”no in-camera noise reduction masks underexposure problems.

Can the HXC-100 integrate with IP-based production workflows (ST 2110, NMOS)?+

The Sony HXC-100 is a legacy HD-SDI/fiber system predating IP video adoption. It does not natively output ST 2110, SRT, or SMPTE-based IP formats. Integration into modern IP workflows requires external video gateways or encoders (not supplied) that convert HD-SDI output to IP packets. If your facility is transitioning to all-IP infrastructure, evaluate whether the HXC-100's SDI ecosystem aligns with long-term strategy. For hybrid facilities (SDI + IP coexistence), SDI-to-IP conversion appliances are market-standard, but add latency and cost. Consult your systems architect on gateway compatibility before commitment.

What are the operating temperature limits, and what happens if ambient exceeds 40ยฐC?+

The HXC-100 operates reliably from 0ยฐC to 40ยฐC ambient. Above 40ยฐC, CCD sensor thermal noise increases, degrading signal-to-noise ratio (nominally 60 dB with gain boost). Extended operation beyond 40ยฐC risks accelerated sensor aging and potential shutdown via thermal throttling. OB vans and outdoor ENG deployments in hot climates require active cooling (fan kits, thermal shielding) or operational discipline (extended break intervals). The camera head generates internal heat; ensure CCU ventilation is adequate. At minimum operating temperature (0ยฐC), allow warm-up time for sensor stabilization. Tropical or desert productions should verify thermal management options with Sony field engineers pre-deployment.

Is the HXC-100 suitable for long-term stationary studio use versus mobile/OB van deployment?+

The HXC-100 excels in both roles. Its modular designโ€”separate camera head, CCU, and RCPโ€”suits fixed studio racks where space and access control are managed. Fiber optics enable remote head placement (30+ meters from CCU), ideal for studio configurations minimizing cable clutter. For OB vans, the tri-sensor CCD architecture and ruggedized connectors (fiber, SDI, RS-422) withstand repeated setup/strike cycles. However, legacy SDI infrastructure becomes a constraint: newer vehicles adopt IP; retrofitting an all-SDI van with IP capability requires additional gateways. If purchasing for a van with 5+ year lifespan, factor long-term SDI ecosystem availability. Studio deployments face fewer infrastructure migration pressures.

What maintenance, calibration, or serviceability requirements should operations teams expect?+

The HXC-100 requires annual CCD sensor calibration (white balance, black level) to maintain color fidelity and comply with broadcast standards. Fiber optic connectors demand cleanliness; dirty ferrules degrade signalโ€”include optical cleaning tools and training. RS-422 control cables are prone to intermittent failures; maintain spare shielded cables. SDI connectors and fiber ports are wear items in high-use facilities; budget replacements every 3โ€“5 years. Sony service centers provide CCD refurbishment and component replacement; verify local service availability before purchasing. Digital color bars and test pattern generation (via external pattern generator) are essential for troubleshooting. Keep firmware revision records for CCU/RCP compatibility audits.

Are your used / ex-demo units tested and warranted?+

Yes. Our used and ex-demo units undergo a full functional inspection โ€” sensors, video outputs, control signals, optics and mechanics โ€” including a colorimetry and sensitivity test. Each product is tested by our technicians and comes with a 90-day warranty. Contact us for the specific warranty terms of the unit you are interested in.

Technical specifications

Video Format1080i/720p HD (SDI/Fiber output)
Sensor TypeThree 2/3-inch IT CCD sensors
Horizontal Resolution1000+ TV lines
Minimum Illumination2000 lux (F4.7, 2000K)
Sensitivity2000 lux (89 dB, F4.7)
ConnectivityFiber optic and HD-SDI, RS-422 control
Lens Mount2/3-inch studio lens compatible
Signal-to-Noise Ratio60 dB (with gain boost)
Operating Temperature0ยฐC to 40ยฐC

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