Blackmagic HyperDeck Studio HD Pro โ Slow Motion / Recording Systems / VTRs
The Blackmagic HyperDeck Studio HD Pro is a professional 1RU rackmount recording system and VTR for broadcast and live production environments.
Description
The Blackmagic HyperDeck Studio HD Pro is a professional 1RU rackmount recording system and VTR for broadcast and live production environments. It delivers multi-codec support including H.264, Apple ProRes, and DNxHD/DNxHR, with dual SSD and SD UHS-II card slots for flexible media management. Equipped with 6G-SDI, HDMI 2.0, timecode, and RS-422 control, it integrates seamlessly into OB vans, studio galleries, and flypack workflows. The precision jog/shuttle dial and comprehensive audio embedding (16-channel SDI, 8-channel HDMI) enable intuitive operation and professional-grade ingest. Available new, ex-demo, and used โ contact us for current stock and pricing.
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FAQ
Can I use the HyperDeck Studio HD Pro as a true VTR with external control from a production control room โ and what protocols does it support?+
Yes. The unit features 1x RS-422 remote control in/out for traditional VTR automation and 1x Gb/s Ethernet for network integration. It also accepts XLR timecode in/out for sync with master clocks and house sync via BNC Tri-Sync/Black Burst reference input. This enables integration into OB van galleries and studio automation workflows. Confirm your control system's RS-422 handshake protocol (9-pin or equivalent) and verify Ethernet control options with current firmware before deployment.
The unit has one SDI input but two SDI outputs โ what is the typical signal flow and can I use this for redundancy?+
The single 6G-SDI input accepts the source feed. The two 6G-SDI outputs allow you to route the ingested video to a playout system and/or monitoring chain simultaneously โ not for failover redundancy. The dedicated SDI monitor output provides independent confidence monitoring. For true redundancy, you would need a second HyperDeck or external router. Design your signal chain with this single-input architecture in mind; it suits serial ingest workflows but not parallel recording backup without external hardware.
How do I handle timecode sync in a multi-camera or multi-deck environment, and what master clock options are available?+
The HyperDeck accepts timecode via XLR in/out and locks to house sync using the BNC Tri-Sync/Black Burst reference input. This allows frame-accurate sync with other decks and cameras. There is no built-in genlock oscillator; you must supply external black burst or tri-sync from a master timing source (production switcher, sync generator, or master clock). In OB vans, confirm your house sync distribution and verify that all decks reference the same master before rolling record to avoid drift.
What is the maximum continuous recording duration on internal media, and how does media management work across the four slots?+
The HyperDeck has 2x SSD slots (2.5-inch 9.5mm), 2x SD UHS-II slots, and 1x USB-C external. Duration depends entirely on media capacity and codec bitrate โ larger SSDs yield longer sessions. The unit can record to one slot at a time; manual slot selection is performed via the LCD and jog dial or remote control. For multi-hour sessions, pre-calculate media requirements (codec bitrate ร duration) and test your specific SSD/SD models on the unit before critical deployment.
What is the power budget if I rack the HyperDeck alongside other gear, and can it run from 12V DC battery or UPS?+
Maximum consumption is 100W. The unit supports 100โ240V AC 50/60Hz internal PSU and 12V DC 4-pin XLR input, enabling battery or portable power for flypack and OB van use. Dual input options provide flexibility; confirm your DC supply can deliver sufficient current (typically ~8.3 A at 12V) and test the 4-pin XLR connector polarity before connecting external batteries or UPS. For permanent rack installs, AC mains with UPS backup is standard practice.
How does the HyperDeck handle audio embedding across SDI and HDMI inputs, and do I need to manage channel mapping manually?+
The unit embeds 16 channels over 6G-SDI input and 8 channels over HDMI 2.0 input. Audio embedding is automatic when present in the source signal; manual level adjustment and channel routing are available via the LCD menu. Verify your SDI source provides properly embedded AES/EBU audio at correct levels (typically โ18 to โ20 dBFS). If audio is missing or misaligned, check source output configuration before troubleshooting the HyperDeck. Test audio I/O paths end-to-end in your pre-production environment.
Can the HyperDeck record UHD at 60fps, and what are the actual frame rate limits for each format tier?+
No. UHD/4K DCI is limited to 30fps maximum. HD (720p, 1080p) supports up to 60fps with H.264, ProRes, or DNxHD/DNxHR. 2K DCI is also capped at 30fps. SD and interlaced standards (1080i) operate within their native frame rates. Plan your ingest workflows accordingly; if 4K 60fps is required, the HyperDeck Studio HD Pro is not the solution. For 1080p60 and below, all codec options are available; verify your source standard matches the supported format list before installation.
What happens if I need to integrate the HyperDeck with a modern IP-based broadcast infrastructure using ST 2110 or SMPTE 2022-7?+
The HyperDeck Studio HD Pro is SDI/HDMI native and does not natively support IP protocols (ST 2110, 2022-7). It can integrate via a gateway or IP converter at the front end (input side) or back end (output side) of your network. The 1 Gb/s Ethernet port is for RS-422 remote control and network monitoring only, not video transport. For IP-primary workflows, evaluate dedicated IP ingest nodes or confirm your conversion strategy with system integrators before committing to this model.
Is the equipment under warranty?+
Yes, every used or ex-demo unit is tested and covered by a 90-day warranty. In the event of a failure, the round-trip transport cost is shared equally between the customer and Broadcast Depot.
Do you ship internationally?+
Yes, Broadcast Depot ships worldwide. We arrange transport on quotation, or you can use your own carrier. Delivery usually takes 3 to 5 days. OB vans are delivered by driver or collected on site.
Can I return or exchange a product?+
Yes, in case of an error or if you would like another product from our stock: returns and exchanges are possible with no time limit. Contact us to arrange it.
Technical specifications
| Form Factor | 1 RU rackmount, full rack width |
| Media Slots | 2x 2.5-inch SSD (9.5mm), 2x SD UHS-II card slots, 1x USB Type-C 3.0 (5 Gb/s external) |
| Video Inputs/Outputs | 1x 6G-SDI input, 2x 6G-SDI outputs, 1x SDI monitor output, 1x HDMI 2.0 input, 1x HDMI 2.0 output |
| SDI Rates | 270 Mb, 1.5G, 3G, 6G |
| Audio Channels | 16 channels embedded SDI, 8 channels embedded HDMI |
| Supported Video Standards | SD (525i59.94 NTSC, 625i50 PAL), HD (720p, 1080i, 1080p up to 60fps), 2K DCI, UHD/4K DCI up to 30fps |
| Recording Codecs | H.264 (10-bit 4:2:2) up to 1080p60; Apple ProRes (HQ, 422, LT, Proxy) up to 2160p30; DNxHD/DNxHR up to 2160p30 |
| Additional Connections | 1x XLR timecode in/out, 1x BNC reference in/out (Tri-Sync/Black Burst), 1x RS-422 remote control in/out, 1x Gb/s Ethernet |
| Display & Controls | 2.2-inch LCD screen, machined metal jog/shuttle dial with electronic clutch, transport buttons, mono speaker, 6.35mm headphone jack |
| Power | 100-240V AC 50/60Hz internal supply, 12V DC 4-pin XLR input, 100W maximum consumption |
| Dimensions & Weight | 482 x 236.4 x 44.2 mm (19 x 9.3 x 1.74 inches), 2.11 kg (4.65 lbs) |