Atomos Shogun Studio 2 – Slow Motion Server

Yes. The unit accepts HDMI 2.0 4K60p and comprehensive SDI inputs (12G/6G/3G quad-link, dual, single, and 1.5G). Each of its two recording channels can be fed independently, so you can configure mixed SDI/HDMI per channel. Plan SDI loop-out for onward routing to vision mixer or router. For OB integration, confirm your camera outputs match the supported SDI generations—12G covers UHD, 3G/1.5G cover HD. Genlock and LTC timecode inputs ensure sync with your sync pulse distribution and master clock.

The unit records to external media via USB or Ethernet (confirm media interface options with current firmware). Apple ProRes 422 HQ at 4K60p requires approximately 1.8 Gbps per channel; dual-channel operation at this spec demands ~3.6 Gbps sustained throughput. ProRes RAW and Avid DNx will vary—typically higher bitrates for RAW. For a typical OB shift, provision redundant high-speed storage (SSD arrays or dedicated recorders) sized for continuous recording plus buffer. Calculate: (bitrate × 3,600 seconds) ÷ 8 = GB/hour. Plan media management and backup strategy before deployment.

Each of the two 7-inch 3000 cd/m² touchscreens serves one recording channel, enabling independent monitoring and control. This is critical for dual-channel live OB work: operators can assess exposure, focus peaking, waveform and audio levels per feed without multiplexing display space. The high brightness (3000 cd/m²) suits bright studio or outdoor daylight conditions. Both screens operate simultaneously, so simultaneous dual 4K60p recording can be actively supervised in real time. Confirm interface responsiveness and gesture support with current firmware.

The Shogun Studio 2 consumes 20–86 W depending on load and display brightness, making it extremely efficient for mobile and rack deployment. This permits battery-backed or small UPS integration in OB vans without strain on genset or mobile power supplies. In a standard 19-inch rack, thermal dissipation is modest; confirm your OB van or studio rack has adequate ventilation (the 3U form factor is compact). For redundancy-critical workflows, consider dual-supply or UPS-backed PSU to prevent loss of the recording stream during power transients.

Yes. The unit includes LTC timecode input with loop-out, allowing jam-sync to your master clock or house sync. This is essential for multicamera edit workflows requiring frame-accurate alignment across sources. Genlock input ensures video sync to house reference. Confirm the latency specification between SDI/HDMI input and file write with your firmware version—typically sub-frame for timecode accuracy, but verify this before committing to live-to-edit workflows where sync tolerance is tight. Loop-out timecode is critical for downstream equipment.

The SDI loop-out and HDMI output are designed for simultaneous program feed during recording. Confirm latency specifications with current firmware; professional VTRs typically minimize latency, but record-while-monitoring workflows depend on your downstream routing. If output feeds a vision mixer or broadcast-to-air chain, any perceptible delay could cause sync issues or program disruption. Test with your specific codec and resolution before committing to live air. For safety, route monitoring separately from recording I/O when possible.

The unit records Apple ProRes (all variants), ProRes RAW, and Avid DNx—industry-standard codecs widely supported in Avid, Premiere Pro, Final Cut Pro and DaVinci workflows. ProRes is preferred for HD/4K timeline editing; ProRes RAW suits color-critical grading. Avid DNx integrates directly into Avid systems. Confirm your NLE version supports the specific ProRes variant and resolution you plan to record (4K ProRes 422 vs. 422 HQ, for example). File wrapper and metadata generation vary by firmware—verify export format compatibility with your post-production pipeline before large-scale deployment.

Firmware updates are performed via USB or network interface (confirm method with current release notes). Plan update windows during non-critical periods. The touchscreen displays and storage media are typical wear items; confirm availability of replacement screen assemblies and media from your supplier. The compact 3RU design allows in-place updates without full rack removal. Establish a spare parts kit: backup media, USB hub, and test cables. Contact your reseller for recommended spares list and firmware support terms; professional broadcast deployments benefit from preventive maintenance contracts.

The unit maxes at 2 channels 4K60p or 8 channels 1080p60 per device. For multicamera 4K scenarios, you must cascade multiple Shogun Studio 2 units, each with independent SDI/HDMI inputs, separate storage and timecode sync. Ensure all units are genlocked to your house reference and synchronized via LTC loop-through. This approach scales linearly but requires rack space, storage bandwidth, and coordinated media management. Alternatively, evaluate whether downconvert to 1080p or stagger channel count (some cameras at 4K, others at HD) fits your production. Confirm inter-unit sync behavior with your reseller.

Yes. Our used and ex-demo units undergo a full functional inspection — sensors, video outputs, control signals, optics and mechanics — including a colorimetry and sensitivity test. Each product is tested by our technicians and comes with a 90-day warranty. Contact us for the specific warranty terms of the unit you are interested in.