Atomos Shogun Studio – Slow Motion / Recording Systems / VTRs

The Shogun Studio 2 accepts 12G/6G/3G SDI (quad-link, dual, single) and 1.5G SDI per channel. Quad-link 4K input is supported on a per-channel basis—you can record one quad-link 4K stream on channel 1 and a separate quad-link 4K on channel 2 simultaneously, or mix SDI input types. For OB van integration, confirm your routing infrastructure supports dual independent SDI feeds; genlock and LTC inputs ensure timing coherence across both channels.

Yes, the Shogun Studio 2 records Apple ProRes, ProRes RAW, and Avid DNx. ProRes RAW at 4K60p requires high-speed external storage via USB-C (verify drive spec compatibility with your integrator). For comparison, ProRes 422 HQ is significantly lower bandwidth and more practical for sustained dual-channel 4K60p recording. Confirm SSD specifications and actual throughput with your vendor before deployment; RAW acquisition demands careful storage architecture planning.

Each 7-inch 3000 cd/m² touchscreen displays independent monitoring per channel with waveform, vectorscope, and histogram tools. The units are non-color-correcting monitors—they confirm signal and exposure in real time but do not perform on-device grading. For color work, pipe outputs to dedicated grading stations or implement color correction in post-production. The touchscreen is primarily for transport control, format verification, and QC during acquisition in studio or OB van environments.

The unit features dedicated genlock input and LTC timecode input/loop per channel. Feed a central genlock reference (e.g., blackburst or tri-level sync) to lock both channels; LTC timecode loop allows daisy-chaining external timecode sources across channels and downstream devices. This architecture supports synchronous multi-camera acquisition. Verify your timing infrastructure (genlock source, timecode distribution) is present in your OB van; genlock is essential for phase-coherent output during playout or live switching.

Yes—HDMI 2.0 4K60p and 12G/6G/3G SDI loop outputs allow simultaneous playout and loop-through during record. Loop outputs enable real-time monitoring on external displays or routing to downstream graphics/switching systems without interrupting acquisition. This is critical for live broadcast scenarios where on-air monitoring or graphics insertion must occur during VTR record. Confirm your router and display chain can handle the output format you select; not all external monitors support the SDI generation you choose.

The Shogun Studio 2 draws 20–86W depending on display brightness, codec complexity, and connected peripherals. The wide range reflects idle vs. full dual-channel 4K60p ProRes RAW recording. For OB van integration, budget 100W per unit as a conservative allocation (includes margin). Two units in a 3RU stack consume roughly 200W nominal; verify your vehicle or facility power distribution can sustain this continuously, especially during multi-hour acquisitions. Low power draw is favorable for portable or power-limited environments.

The Shogun Studio 2 records 4K/DCI 4K up to 60fps and HD 1080p60. Supported frame rates include 24fps, 25fps, 30fps, 50fps, and 60fps across these resolutions. DCI 4K (4096 × 2160) is available for cinema workflows. 2K is not explicitly listed in verified specs; confirm with your integrator if 2K acquisition is required. Frame-rate agility and DCI support make the unit suitable for broadcast, OB, and cinema-hybrid production chains.

The Shogun Studio 2 records to external storage (USB-C) in ProRes, ProRes RAW, or Avid DNx format. Files are written in standard containers compatible with NLE software (Final Cut Pro, Adobe Premiere, Avid Media Composer). For broadcast QC, transcode or review on-set via external SSD. Archive strategy depends on your post-production pipeline: ProRes files are broadly compatible; ProRes RAW is edit-native but storage-intensive; Avid DNx suits Avid workflows. Plan storage redundancy and backup protocols before deployment; verify your facility's ingest workflow and codec licensing.

The dual 7-inch touchscreen and physical controls support local operation. Remote control, automation, or headless operation is not specified in standard documentation. For unattended recording in OB vans or studios, rely on local timecode sync and genlock to ensure frame-accurate acquisition; monitor the dual displays on-site. For remote workflows, confirm with your integrator whether third-party control protocols or firmware updates enable remote playout or status monitoring. This unit is designed for attended operation with real-time QC via integrated touchscreens.

Yes. Our used and ex-demo units undergo a full functional inspection — sensors, video outputs, control signals, optics and mechanics — including a colorimetry and sensitivity test. Each product is tested by our technicians and comes with a 90-day warranty. Contact us for the specific warranty terms of the unit you are interested in.